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Press

“I hope this is the future” – Robert Ashley

“Experimental theatricalist opera just the way such things should be and rarely are. Creators Kara Feely and Travis Just have created a sophisticated collision between elegant formal considerations and the disruptive garbage of a world going down the drain that is exciting and exhilarating. The spectator is swept away in its delirious mix and emerges clear and emotionally refreshed.” – Richard Foreman

“Object Collection, my favourite discovery of this year”– Emily Bick, The Wire

“new music wunderkinder” – Time Out New York

“innovative” – New York Times

“Object Collection…must be the new New York.” – Seismograf

“An Object Collection opera-in-overdrive is a lot to take in, and that’s the way Feely and Just like it.” – Kurt Gottschalk, The Wire

“compelling, disturbing, and shockingly beautiful.” – Risa Shoup, Huffington Post

“It’s shows like this that shut down the NEA” – Backstage

“Object Collection’s bold, loud and dizzying productions are not to be missed.” – Time Out New York

 

Interviews

Culturebot (In Conversation with Richard Foreman) (2024)

Forbes (2022)

National Sawdust Log (2020)

BOMB Magazine (2015)

Brooklyn Rail (2011)

 

Reviews


Automatic Writing (2011, 2014, 2022)

Brooklyn Rail (2022)

The Wire (2022)

White Fungus (2014)

BOMB (2011)


Look Out Shithead (2021-22)

The Wire (Prologue)

Vulture/New York Magazine

The Wire (Episode 1)


You Are Under Our Space Control (2019)

I Care If You Listen

The New Yorker


It’s All True (2016-18)

Pitchfork

Washington City Paper

Bandcamp Daily

The Guardian

The Wire

Frieze Magazine


cheap&easy OCTOBER (2015)

New York Music Daily

The Vinyl District

The Wire

Tiny Mix Tapes


NO HOTEL (2013)

New York Times


Innova (2011)

Huffington Post

Profiles

Frieze Magazine (2017)

The Wire, 2016

The White Review (2014)

New Music Box (2011)

Brooklyn Rail (2010)