Press (old) | Object Collection

[vc_row][vc_column][vc_empty_space height=”95px”][vc_single_image image=”407″ img_size=”1300×300″ alignment=”center”][vc_separator color=”custom” accent_color=”#ba131a”][/vc_column][/vc_row][vc_row][vc_column][thb_testimonial_parent][thb_testimonial quote=”I hope this is the future” author_name=”Robert Ashley”][thb_testimonial quote=”Experimental theatricalist opera just the way such things should be and rarely are. Creators Kara Feely and Travis Just have created a sophisticated collision between elegant formal considerations and the disruptive garbage of a world going down the drain that is exciting and exhilarating. The spectator is swept away in its delirious mix and emerges clear and emotionally refreshed.” author_name=”Richard Foreman”][thb_testimonial quote=”Object Collection, my favourite discovery of this year” author_name=”Emily Bick, The Wire”][thb_testimonial quote=”new music wunderkinder” author_name=”Time Out New York”][thb_testimonial quote=”innovative” author_name=”New York Times”][thb_testimonial quote=”Object Collection…must be the new New York.” author_name=”Seismograf”][thb_testimonial quote=”An Object Collection opera-in-overdrive is a lot to take in, and that’s the way Feely and Just like it.” author_name=”Kurt Gottschalk, The Wire”][thb_testimonial quote=”compelling, disturbing, and shockingly beautiful.” author_name=”Risa Shoup, Huffington Post”][thb_testimonial quote=”It’s shows like this that shut down the NEA” author_name=”Backstage”][thb_testimonial quote=”Object Collection’s bold, loud and dizzying productions are not to be missed.” author_name=”Time Out New York”][/thb_testimonial_parent][vc_empty_space height=”35px”][vc_separator color=”custom” accent_color=”#ba131a”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]